From Hollywood: The Oral History (2022)
If somebody hits with
a certain type of film,
then everyone wants to
make one on the not
unlikely assumption that
"oh, I guess a lot of people
out there are interested in
seeing this. . ."
So everybody will make them.
And the public will go to see it,
until the public stops going
to see it. But one thing that
doesn't change is that the
top ten films at any one time
do half of the available business
and all the rest are fighting for
the other half.
That is always true.
The public gravitates toward
the hits. The hits are like
magnets.
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