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Sunday, March 20, 2011

Spring begins -- two writers on outdoor gardening and being outside

from MARCH 20 entry for The Writer's Almanac (Garrison Keillor list serv):

Today is the first day of spring. The vernal equinox occurs today, the time when the earth's axis is not turned toward the sun (summer, for those of us in the Northern Hemisphere), or away from it (winter), but is aligned with the center of the sun. The word equinox comes from Latin: aequus means equal, level, or calm; nox means night, or darkness. The equinox, in spring or fall, is a time when the day and night are as close to equal as they ever are, and when the hours of night are exactly equal for people living equidistant from the equator either north or south.


Margaret Atwood wrote: 'Gardening is not a rational act. What matters is the immersion of the hands in the earth, that ancient ceremony of which the Pope kissing the tarmac is merely a pallid vestigial remnant. In the spring, at the end of the day, you should smell like dirt.'

Henry David Thoreau wrote: 'This phenomenon is more exhilarating to me than the luxuriance and fertility of vineyards. True, it is somewhat excrementitious in its character, and there is no end to the heaps of liver, lights, and bowels, as if the globe were turned wrong side outward; but this suggests at least that Nature has some bowels, and there again is mother of humanity. This is the frost coming out of the ground; this is Spring. It precedes the green and flowery spring, as mythology precedes regular poetry. I know of nothing more purgative of winter fumes and indigestions. It convinces me that Earth is still in her swaddling-clothes, and stretches forth baby fingers on every side. Fresh curls spring from the baldest brow. There is nothing inorganic. These foliaceous heaps lie along the bank like the slag of a furnace, showing that Nature is 'in full blast' within. The earth is not a mere fragment of dead history, stratum upon stratum like the leaves of a book, to be studied by geologists and antiquaries chiefly, but living poetry like the leaves of a tree.'

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